{"id":113,"date":"2025-02-13T14:56:57","date_gmt":"2025-02-13T13:56:57","guid":{"rendered":"https:\/\/accords-et-dissonances.fr\/?page_id=113"},"modified":"2026-06-18T15:40:42","modified_gmt":"2026-06-18T13:40:42","slug":"prochains-concerts","status":"publish","type":"page","link":"https:\/\/accords-et-dissonances.fr\/?page_id=113","title":{"rendered":"Prochains concerts"},"content":{"rendered":"\n
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Sospiri d’Amore<\/em><\/strong><\/p>\n\n\n\n

Madrigaux italiens du XVIe si\u00e8cle et d\u00e9but du XVIIe si\u00e8cle<\/p>\n\n\n\n

Apr\u00e8s une longue travers\u00e9e transatlantique de Londres \u00e0 New-York, \u00e0 la d\u00e9couverte des musiques chorales anglo-saxonnes des XXe et XXIe si\u00e8cles, c’est un tout autre programme auquel vous convie l’Ensemble Vocal Accords et Dissonances: une incursion dans l’Italie des XVIe et d\u00e9but du XVIIe si\u00e8cle \u00e0 la d\u00e9couverte de la forme vocale profane majeure de la Renaissance italienne:<\/strong> le Madrigal<\/strong>
Vous pourrez d\u00e9couvrir des madrigaux italiens de Philippe Verdelot, Jacob Arcadelt, Cipriano de Rore, Luca Marenzio, Vittoria Aleotti et <\/strong>plusieurs madrigaux de Claudio Monteverdi<\/strong>, sur les textes de po\u00e8tes contemporains autour de l’Amour mais aussi de la souffrance et des conflits int\u00e9rieurs qu’il occasionne. D’o\u00f9 le titre de ce programme: \u00ab\u00a0Sospiri d’Amore\u00a0\u00bb<\/strong> (Soupirs d’Amour)
Pour l’occasion,  ne reculant devant aucun d\u00e9fi (!), nous interpr\u00e9terons certains madrigaux \u00e0 4 ou 5 chanteurs, un par voix, tel que les compositeurs de cette \u00e9poque concevaient l’interpr\u00e9tation de leur musique. Un vrai challenge pour les chanteurs amateurs que nous sommes ! L’ensemble de ce programme d’environ 45 minutes sera chant\u00e9 a cappella. <\/p>\n\n\n\n

Mercredi 27 mai, 20h30: Prieur\u00e9 de Talloires<\/strong><\/p>\n\n\n\n

Le Prieur\u00e9 de Talloires, lieu charg\u00e9 d’histoire, est au diapason de cette musique compos\u00e9e il y a 400 voire 500 ans.
Prieur\u00e9 de Talloires \/ Tufts University: 113, chemin de la Colombi\u00e8re, Talloires<\/p>\n\n\n\n

Libre participation aux frais<\/p>\n<\/div>\n\n\n\n

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Deutsche Kantaten<\/em><\/strong> – En pr\u00e9paration<\/strong><\/p>\n\n\n\n

Cantates allemandes du d\u00e9but du XVIII\u00e8me si\u00e8cle<\/p>\n\n\n\n

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1707: Jean-S\u00e9bastien Bach, nouvellement promu \u00e0 M\u00fclhausen, compose \u00e0 l’\u00e2ge de 22 ans les cantates 131 et 150, Dans ces cantates, qui sont sans doute ses toutes premi\u00e8res, Bach d\u00e9montre d\u00e9j\u00e0 son art de la composition, sans renier l’h\u00e9ritage de ses grands pr\u00e9d\u00e9cesseurs dont Dietrich Buxtehude et peut-\u00eatre aussi Johann Kuhnau qui compose 2 ans auparavant l’une de ses cantates les plus connues: \u00ab\u00a0Gott sei dir gn\u00e4dig\u00a0\u00bb. Au del\u00e0 de l’influence qu’il a pu exercer sur le jeune Bach, Kuhnau est celui qui a pr\u00e9c\u00e9d\u00e9 Bach au prestigieux poste de Cantor de Saint Thomas de Leipzig. Quant \u00e0 Christoph Graupner, de deux ans l’ain\u00e9 de Bach, il avait \u00e9t\u00e9 pr\u00e9f\u00e9r\u00e9 \u00e0 Bach pour remplacer Kuhnau \u00e0 ce poste de Leipzig avant de devoir y renoncer. Parmi ses plus de 1400 cantates, nous avons choisi l’une des plus courtes et des plus belles: \u00ab\u00a0Wir bald hast du gelitten, de 1713.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Cet ambitieux programme de 4 cantates compos\u00e9es entre 1705 et 1713 sera donn\u00e9 en collaboration avec l’ensemble instrumental baroque \u00ab\u00a0La Jupiter\u00a0\u00bb \u00e0 l’occasion de deux concerts autour d’Annecy, durant le week-end des 6 et 7 mars, les lieux restant \u00e0 confirmer. <\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Sospiri d’Amore Madrigaux italiens du XVIe si\u00e8cle et d\u00e9but du XVIIe si\u00e8cle Apr\u00e8s une longue travers\u00e9e transatlantique de Londres \u00e0 New-York, \u00e0 la d\u00e9couverte des musiques chorales anglo-saxonnes des XXe et XXIe si\u00e8cles, c’est un tout autre programme auquel vous convie l’Ensemble Vocal Accords et Dissonances: une incursion dans l’Italie des XVIe et d\u00e9but du XVIIe […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-113","page","type-page","status-publish","hentry"],"yoast_head":"\nProchains concerts - Accords et Dissonances 2026<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/accords-et-dissonances.fr\/?page_id=113\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prochains concerts - 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